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Per musi : revista de performance musical.
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ISSN: 23176377 Year: 2000 Publisher: Belo Horizonte, MG : Pós-Graduação Escola de Música, Universidade Federal de Minas Gerais,

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Good Vibrations : Brian Wilson and the Beach Boys in Critical Perspective
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ISBN: 0472902385 Year: 2016 Publisher: University of Michigan Press

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Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hit single "Good Vibrations" -to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer.


Periodical
音楽学 [[オンガクガク]].
Authors: --- ---
ISSN: 21899347 Year: 1954 Publisher: Tōkyō-to : Ongaku no Tomosha

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Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music
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ISBN: 0472902377 Year: 2016 Publisher: [s.l.] : University of Michigan Press,

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In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term "underground music" as it's being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that's noisy and exploratory in sound and that's largely independent from both the market and from traditional high art institutions. In this book, by outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism.


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Ludwig Senfl : Motets For Four Voices (N-V). New Senfl Edition 2
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ISBN: 3990128035 Year: 2022 Publisher: Wien : Hollitzer Verlag,

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A Language of Song : Journeys in the Musical World of the African Diaspora
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ISBN: 1478090715 Year: 2009 Publisher: [s.l.] : Duke University Press,

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In A Language of Song, Samuel Charters-one of the pioneering collectors of African American music-writes of a trip to West Africa where he found "a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the Bahamas, to dance halls of west Louisiana and the great churches of Harlem." In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean. Each of the book's fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans' first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves' songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica's dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music's most observant and well-traveled explorers.


Book
Sounding the Indian Ocean : Musical Circulations in the Afro-Asiatic Seascape /

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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm-which has long cast Africa, the Middle East, and Asia as separate musical cultures-the book shows how music both forms and crosses boundaries in the Indian Ocean world.


Periodical
Canadian university music review = : Revue de musique des universités canadiennes.
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ISSN: 22912436 Year: 1980 Publisher: [Ottawa] : [Canadian University Music Society] = [Société de musique des universités canadiennes],

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Periodical
Revista Vórtex.
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ISSN: 23179937 Year: 2013 Publisher: Curitiba, PR : Universidade Estadual do Paraná : Escola de Música e Belas Artes do Paraná.


Periodical
Online journal of music sciences.
ISSN: 25364421 Year: 2016 Publisher: Adapazarı : Sakarya University State Conservatory, Department of Basic Sciences

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